1948 3rd most popular star and 2nd most popular British star in Britain, 1949 5th most popular British star in Britain, This page was last edited on 25 February 2023, at 07:39. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . She returned to Britain to live in Somerset in 2007. Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. Though, we doubt they'd be the only ones perplexed by the idea. Her profile rose when she appeared opposite Maurice Chevalier in The Beloved Vagabond (1936)[4]. A noblewoman begins to lead a dangerous double life in order to alleviate her boredom. Her beauty spot, added during filming of A Place of One's Own (1945) in 1945 Trivia (28) Mother of actress Julia Lockwood. Hey Friend, Before You Go.. She called it "my first really big picture with a beautifully written script and a wonderful part for me. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Salmon patches (sometimes known as "stork bites"), hemangioma (what some people call "strawberry marks"), and port wine stains, are some common forms of vascular birthmarks. "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." She also starred in the television series Justice (197174). Required fields are marked *. She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. Switch to the light mode that's kinder on your eyes at day time. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. She refused to return to Hollywood to make "Forever Amber", and unwisely turned down the film of Terence Rattigan's "The Browning Version". ", Even by the mid-1800s, not everyone had opened their minds likePepys. The excitement of walking on in Noel Cowards mammoth spectacular, Cavalcade, at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Rank wanted to star her in a film about Mary Magdalene but Lockwood was unhappy with the script. "[8] Gaumont increased her contract from three years to six.[10]. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. Images of the British actress, Margaret Lockwood. [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. She likes what she likes, okay? [29] She refused to appear in Roses for Her Pillow (which became Once Upon a Dream) and was put on suspension. She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to her shy, sensitive daughter. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. One of those famous faces was Marilyn Monroe. Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. Gaumont extended her contract from three to six years. Lockwood then had her best chance to-date, being given the lead in Bank Holiday, directed by Carol Reed and produced by Black. Please refer to the appropriate style manual or other sources if you have any questions. As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. Size: 46 Pages, Transcript. Please like & follow for more interesting content. The perception of beauty marks has come a long way since the 1800s, though, that's not to say it happened overnight. The music was written by Hubert Bath. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. [33] She also appeared in an acclaimed TV production of Pygmalion (1948). However, her best-remembered performances came in two classic Gainsborough period dramas. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. Based on the novel by Sir Osbert Sitwell, brother of renowned author Dame Edith Louisa Sitwell, A Place of One's Own (1945) is an atmospheric ghost story set in the Edwardian era that marked the directorial debut of Bernard Knowles and reunited the stars of The Man in Grey (1943) James Mason and Margaret Lockwood. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to their shy, sensitive daughter. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Hear, hear! Lockwood attended drama school from the age of five and following her parents divorce was just 12 when cast as the star of Heidi for a 1953 childrens TV serial. Switch to the dark mode that's kinder on your eyes at night time. Lady barrister Harriet Peterson tackles cases in London. No weekends or evenings required. Overview Collection Information. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". Updates? Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. She added, "But he obviously also found them sexy. [17][18], Lockwood returned to Britain in June 1939. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). After becoming a dance pupil at the Italia Conti school. [36], Lockwood was in the melodrama Madness of the Heart (1949), but the film was not a particular success. Her beauty is breathtaking; indeed, the viewer can recall that when Caroline (Patricia Roc) Introduced her to . Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." With Margaret Lockwood, James Mason, Patricia Roc, Griffith Jones. Julia Lockwood with her mother, Margaret, in 1980. Beautician, Beauty Salon, Barber, Hair Stylist. For this, British Lion put her under contract for 500 a year for the first year, going up to 750 a year for the second year.[3]. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. Margaret Lockwood moved out of 30 Highland Rd, London in 1937. CURRENT NEEDS: Part time 1-2 days a week 9 AM-3 PM. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. Beauty marks may very wellalwaysbe beautiful, but the truth behind them is often less glamorous. The enormous popular success of this picture led to her second key role in 1945 (again with Mason) as the cunning and cruel title character of The Wicked Lady (1945), a female Dick Turpin. The Getty Images design is a trademark of Getty Images. She was made Commander of the Order of the British Empire in 1980. [40][41] It was not popular. Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. When I marry, I shall have a large family. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. And I loved it. Pigmented birthmarks simply mean your spots contain more color than other parts of your skin. Lockwood never remarried, declaring: I would never stick my head into that noose again, but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, And Suddenly Its Spring. As an only child herself, she had once said: I love children. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. And why do people love them or hate them? A good thing about fake moles is that there's zero risk of one turning into skin cancer. Gasp! She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. [9] This movie was a hit and launched Lockwood as a star. [13] According to Filmink Lockwood's "speciality [now] was playing a bright young thing who got up to mischief, usually by accident rather than design, and she often got to drive the action. ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. InLove Story(1944), a florid romance about the need for self-sacrifice during wartime, Lockwood plays Lissa, a concert pianist who cannot become a Women Air Force Service pilot because she has a weak heart. Lee dropped out and was replaced by Lockwood. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. The Wicked Lady: Directed by Leslie Arliss. Location: Fullerton, CA. You canbe born with one, or you can develop one at a later point in your life. Ceramic. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. her flawless complexion - enhanced by a beauty-spot! sachets at a time and calling it "my tipple". It also helps other women with beauty marks to have an ally with which to identify. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. Actors: Margaret Lockwood, James Mason, Patricia Roc. She is survived by her children with Clark, Nick, Lucy and Katharine, and her son, Tim, from a previous relationship. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. So, while Cindy Crawford and other big names with facial molesare often credited with having iconic beauty marks, celebs with body moles aren't given quite the same label. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. The films worldwide success put Lockwood at the top of Britains cinema polls for the next five years. Cindy Crawford, for example, is notorious for her iconic "blemish." Margaret Lockwood. Each time I play him, I discover hidden things I never thought of before, she enthused. Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. During her suspension she went on a publicity tour for Rank. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). In 1938, she gave her best performance in the movie Bank Holiday; the film launched Lockwoods career. 10-06-22 . [30] "I was sick of getting mediocre parts and poor scripts," she later wrote. Any moles or flaws are usually Photoshopped out to create the image of beauty." I dont believe in raising an only child. If you've ever heard of a beauty mark being labeled a birthmark, that's not exactly fake news. Collect, curate and comment on your files. Moles, Mongolian spots, and cafe-au-lait spots are all considered types of pigmented birthmarks. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. This is partially dictated by Hollywood's elite. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. Stage career This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. Long live the mouches! Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. When peace came, her mother was keen for her daughter to follow in her footsteps. We provide you with all the necessary resources to help you achieve your income goals! She refused to return to Hollywood to make Forever Amber, and unwisely turned down the film of Terence Rattigans The Browning Version. This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. Job in Fullerton - Orange County - CA California - USA , 92835. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. She was survived by her daughter, the actress Julia Lockwood. The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. I try to give him something of an unearthly quality.. Margaret Lockwood moved to Dolphin Square, Pimlico, London in 1937. "It is a mark of all that Shakespeare found indelibly beautiful in singularity and all that we identify as indelibly singular and beautiful in his work," the historian further added. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. This naturally raises the question: Why are there two different names? Likewise, if she were to wear one on the right side, she would be showing her support for the Whigs. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. The film was a critical and box-office disappointment. Actress: The Lady Vanishes. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. In spite of this, she was warmly remembered by the public. Lockwood had a small role in The Amateur Gentleman (1936), another with Fairbanks. When a proposed film about Elisabeth of Austria was cancelled,[37] she returned to the stage in a record-breaking national tour of Nol Coward's Private Lives (1949)[38] and then played the title role in productions of J. M. Barrie's Peter Pan in 1949 and 1950. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. These were standard ingnue roles. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. [24] She was featured alongside Phyllis Calvert, James Mason and Stewart Granger for director Leslie Arliss. Miss Lockwood's family would not disclose the . Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. She was supposed to make cinema adaptations of Rob Roy and The Blue Lagoon, but both projects were shelved due to the outbreak of World War II. [47], Her next two films for Wilcox were commercial disappointments: Laughing Anne (1953) and Trouble in the Glen (1954). The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. She called it My first really big Picture. The film was a massive hit, one of the biggest in 1943 Britain, and made all four lead actors into top stars at the end of the year, exhibitors voted Lockwood the seventh most popular British star at the box office. The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britains biggest box-office stars with her appearance in the 1945 film classic The Wicked Lady, four years after her daughters birth. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. she made her stage debut at 15 as a fairy in " A Midsummer Night's Dream" at the Holborn Empire. Shortly afterwards, in her early 30s, she gave up acting to concentrate on bringing up her four children. Quiet Wedding (1941) was a comedy directed by Anthony Asquith. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". Lockwood also appeared in several other television shows. For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. I like consistency when it comes to getting my hair done. Her first moment on stage came at the age of The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. Enjoying our content? Whether or not your beauty mark is also a birthmark, romanticist William Shakespeare would've so been into it. Corrections? I like having familiar faces that recognize me. Full Time, Part Time position. After what she regarded as her mother's painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughter's performance in "The Wicked Lady", she snapped: "That wasn't acting.